A Conversation in a Cafe, Part Five

The conclusion to my short story series about a father and daughter discussing the end of the world and her journey to save it. To start at the beginning, see A Conversation in a Cafe.

“And so it is done.”

As greeting’s go, it’s not the best. I slump down into the seat opposite my father, looking at him through narrowed eyes. So it is done. My usual cookie waits for me with a Diet Coke; he is holding a mug of tea but not drinking. Just smiling at me.

“Yep,” I say, reaching into my bag. I pull the sword out. A full blade, which should never have fit into my tiny handbag but of course it did, because, well, magic. Magic has been a constant in the last few weeks. The only certainty as the light filled the sky and the earth itself shattered. “Saved the world.” I plonk the sword down on the table. It clatters, and a couple of people look at us before quickly looking away.

“The world will never be the same,” my father says.

I laugh. “Look around. It’s been two days since the earth stopped shaking, and already people are back in the city centre having a latte and a croissant before they go to work. Life goes on. It’s only human.” He’s still smiling at me. His eyes sparkle a gentle gold. I sigh. “What?”

“You may have surpassed me in wisdom, daughter.”

“You know damn well that’s impossible.” I reach out and take a bite of the cookie. God, it’s good. I can enjoy it now. Maybe. I’m pretty sure it’s over. 

“But five of us still remain.”

I drop the cookie back onto the tray.

“The end of the world has stopped. I’ve killed eight. Eight bloody gods, and let me tell you they didn’t go easily.” 

They bled gold. I’m not sure whether that made it better or worse. When I close my eyes I still hear the scrape of blade against bone, still see the gold-splattered walls of my most recent battle. The sword gleams silver. Every time it struck a god and the god bled, it would absorb the blood, and grow more powerful. The fights got easier. The last one barely lasted a minute; it felt more like an execution.

Is that what I am now? An executioner?

“It’s over,” I say, aware my father is trying to catch my eye and deliberately avoiding him. “The end times are done.”

”But five of us live.”

”Death never really wanted the world to end; it doesn’t really have a purpose once that happens. The twins only really care about the trees, I lost them somewhere in the rainforest, but I’m pretty certain from some of the cursing I got from the trees that they’d rather the earth remained whole. And as for Loki – or Apollo, as he told me to call him, which is insane because Apollo wasn’t even a bloody trickster -”

”I believe that’s the trick.”

”He doesn’t want to lose his favourite playground. Not in the era of fake news.” I hesitate. My father hasn’t blinked. He’s still watching me. “That leaves you.”

”Yes.”

The cafe buzzes around us. Nice acoustic music is playing. Nice conversations are happening. Nice weather shines through the window. You would never guess the world almost ended, that millions died in the floods, that the hospitals were overrun with people who refused to die and the earth itself split. Life goes on. 

My father reaches out. Going for a bite of my cookie. 

No. He rests his hand on mine. His touch is warm, and soothing. It feels like safety. 

“Daughter, look at me.” I can’t help it; at the entreaty I look up, and I’m immediately trapped in those golden eyes. He’s still smiling. “I am so proud of you.”

I flush. I can feel the warmth in my cheeks. He squeezes my fingers, and then lets them go.

He grabs a bit of the cookie before leaning back in his seat. Because old habits die hard.

“I have a confession to make,” he says. 

My heart sinks. Please don’t say you’re pro-end. Please don’t say I have to kill you.

He sighs. The sound is heavy, like the weight of the world has pushed it out. “I ordered the cookies for you because it seemed ungodly to order them for myself.”

I laugh. I can’t help myself. And once I start laughing, I can’t stop. A couple whispering and holding hands at the next table glare at us; I just keep laughing. The sword gleams on the table between us. My father’s eyes, human eyes, watch me with an expression that is both amused and exasperated.

I laugh until I feel my ribs are going to crack, until the sound of my laughter is echoing louder than the music and the upstairs of this cafe is full of my amusement. Then I sink back into my chair, resting my head back to look at the ceiling, and whisper, “I need to sleep for, like, a century.”

“I’ll give you a couple of days.”

I glare at him. “A couple of days until what?”

“Until you show me how to retire and be human.” He takes another bite of the cookie and leans back in his chair with a content sigh. “Maybe I’m crazy, but I think I’m going to like it.”

A Conversation in a Cafe, Part Four

The penultimate part of my short story series which started as an exercise in writers block. A father and daughter meet to discuss her progress in stopping the end of the world. For the beginning, take a look at A Conversation in a Cafe.

“Death returns, and humanity thrives. You have done well.”

I snort into my Diet Coke. Done well. I’m not sure whether he’s being sincere or not; I kind of hope not. The undying plague is over. Death has returned. People have returned too, leaving their houses and their hiding and finding some semblance of normality in this crazy descent into the end times. The cafe around us has a quiet, pleasant buzz. The music is louder than any conversation, giving the semblance of privacy. Death has returned; life goes on.

I ache.

“Daughter?”

I jolt out of my thoughts. I’d been staring into my Diet Coke, clasping it so tight my knuckles are white. My father’s voice is gentle. He is giving me that smile, the one that suggests I am a child who needs rest.

He’s not wrong.

“Not well enough,” I say. “The world’s still ending.”

“But you have given people hope. Sometimes, hope is enough.”

I hold his gaze. Stare deep into those bloody golden eyes. “That’s crap. Hope isn’t enough, not when you’re fighting the end of the world.”

“Perhaps.” He takes a sip of his tea. “The underworld has hurt you.”

”A couple of scratches and bruises. Turns out Death really doesn’t like being disturbed.”

”I did not mean physically.”

I shrug his concern away. “I’m fine.”

I’m not fine.

The underworld was a writhing darkness, a hell-scape twisted horrifically into the form of a tower block. Every level brought new demons and new nightmares. Every step was torturous. And Death, Death was at the very bottom, waiting for me with a smile on her lips. His lips. I’m still not entirely sure what gender it was, only that it was, and it was surprisingly seductive.

It would have been so easy to close my eyes, and let it take me.

The music in the cafe is bouncy and happy. A couple and their kids are chatting away at the next table. It’s as if the plague of undying never happened, the blood red rain is a distant memory. But then, they don’t know what’s coming.

“The beast,” I say. “What can you tell me about it?”

”The beast is a fairytale,” my father says dismissively. “He will ride in on a wave of bones – it is a myth to express what humanity cannot understand.”

”So how will it happen?” He stares at me. I hold his stare. I’m not going to be intimidated by those golden eyes; I’ve stared down far worse these last few months. “I’ve fought the portends of the end of the world. That means the end must be coming, right? So how do I stop it?”

He reaches his hand across the table and, predictably, breaks off the corner of my cookie. I sigh. He takes his time, enjoying the bite, taking a sip of his tea. He’s stalling. I can’t believe it. This mythical, all-knowing being is stalling.

“Father.”

He sighs. Puts his tea down. “The end will come in a flash of light and burning rain,” he says softly. “There will be screaming, and endless torment. The underworld will break into the overworld; the heavens will fall and collide with the earth. The gods will leave. We have that luxury. But the people will die.”

My heart sinks. “So there’s no beast? Nothing for me to fight?” He says nothing. I feel sick. “You said that I could be the great warrior who rises to fight the beast. If there’s no beast, how on earth am I meant to fight it?”

The couple and their kids are leaving. One of the children shoots us a curious glance. Maybe I’m talking too loudly. I don’t care. If they aren’t aware what’s going on in the world, it’s time they were educated. The news is full of blood red rain and floods and undying and religious leaders warning people to make their amends and scientific leaders explaining theories that I don’t understand.

They’re all wrong. There are no amends; there is no science. There are only unknowable gods, who do not care, and never have.

There are tears in my eyes. I go to wipe them away; my father stops me and hands me a napkin.

“I care,” he says softly.

I glare at him. “You’re in my mind. Don’t do that.”

”I can’t do it very often these days,” he says, drawing back as I dab at my eyes. “You have grown strong, daughter.”

”Because you told me I had to. Now you tell me it was all for nothing.”

”I never said that.”

A young man and woman have started arguing at the next table. Their hushed, strained tones are a background to my father’s serious, unblinking expression. 

“There is a beast, of sorts. And the beast is known.”

I frown. “What the hell does that mean?”

“I am the beast.”

I can’t be dealing with this right now. “Drop the cryptic crap, please. I’m tired and I’m -”

“I’m not being cryptic. I am the beast. My brothers and sisters are the beast. Without us, there is no end. There is only the earth, ungoverned and free.”

Ungoverned and free.

I shake my head. “You’re saying I have to fight the gods?”

”You have fought one before. And won. That is how I know you are ready.”

I laugh. “I slapped a bit of sense into Death. I got it to do its duty. That’s hardly winning, that’s just being persistent.”

“And that is why I know you are going to win.” He smiles at me. “Because you are persistent. You are determined. You will never not try.” The smile grows a tad wistful. “You are your mother’s daughter.”

This is insane. “I can’t fight the gods,” I say hopelessly. “There are too many, and even if I managed to – if I found them all in time, if I managed to get close enough – I’d die first. Because I can die.”

”So can we. If you use the right blade.” He reaches for another bit of my cookie but then, to my surprise, pushes it into my hands. “Eat, daughter. You’re going to need your strength.”

I sigh. “Any chance I can take a break, and someone else can take over?”

“Do you know of any other demi gods?”

“No. Do you?”

”Yes. But they are all dead, powerless or moronic.” He closes my hand over the piece of cookie. “Gather your strength. The journey to the blade is not an easy one.”

I can’t help another sigh at that. “Of course not.”

I take a bite of the cookie. It’s good. Too good. Too much chocolate for anyone’s good. The cafe has a pleasant atmosphere today. People seem happy. There’s the argument at the table next to us and a crying child is being reprimanded in the corner, but the happiness is like a shroud. The world is getting better, as far as they know. Things are improving. If only. 

But maybe I can help.

Maybe, just maybe, I can do this.

Soul-Snatcher

A short fantasy story about a thief and a necromancer with a long history.

There are many ways in which a man may be judged, Vincent thinks as he stares out over the audience. Theatre is one, of course. Everyone likes a good spectacle, and heckling a bad one is almost as fun. Sport is another, the joy of cheering for the underdog until your voice is hoarse.

Public execution, he’s decided, is a strange mix of both. The drama of the theatre; the uncertainty of sport that makes gamblers so gullible. Money exchanges hands below him. A small child with wide eyes is munching on a salted treat. There is the sort of buzz he associates with the races, just with a little more bloodlust.

The noose itches. He wonders if they’d untie his hands so he could scratch, but decides ultimately it would make little difference.

The constable asks if he has any last words.

Vincent shrugs. “Would it make a difference?”

“No, but we have to ask.” At Vincent’s blank expression, the constable adds, “It’s tradition.”

“Tradition is what got me into this mess in the first place.”

“No, stealing ceremonial plates is what got you into this mess.”

“It’s not stealing if they were yours to begin with.”

The constable ignores him. The plates are hundreds of years old and they belonged to the old gods that the town only remembers twice a year.

Hanging seems a bit extreme, but apparently they take tradition very seriously in this town. Seriously enough that the lack of evidence – there is never evidence – is not enough to deter them from passing the sentence.

He sighs. This is not the way he intended to die. Then again, to be fair, he never intended to die at all. Maybe, when he had reached his millennium, he might have decided to rest. But six hundred and twelve is no age at all.

They pull the lever.

The hatch drops.

Vincent stands to the side of it, looking in mild bemusement at the constable who shoved him out of the way. He mutters apologies to the crowd as he loosens the noose, and drops his voice a reverential whisper. “Milady of the shadows wishes to speak with you.”

“Hang me,” Vincent says, completely deadpan. “If milady wishes to speak with me, she can raise me when I’m dead.”

“Don’t be like that Vincent.” A gentle, familiar voice from behind him. He shivers. The small boy with his snacks is gaping at the side of the makeshift stage. There are no more yells of annoyance, no more buzzes of anticipation. A woman in a long white veil has joined the spectacle and there is silence. The madam of necromancy tends to have that effect.

He is released into her custody. She has a driverless carriage waiting. It pushes into a smooth, calming motion the moment they’re both sat down.

“Honestly Vincent,” she says, pushing her veil away to reveal a delicate tanned face and deep honey hair. “Can you go one century without getting yourself into trouble?”

“What’s with the get up?” She frowns. He gestures to the veil and the dress. “The bride of death look. It’s new.”

She sighs. “It’s been seventy years, dear, I was bound to have a new outfit. And people expect a certain look these days when they meet the head of necromancy. Pallid skin, black hair, dark eyes. I’m afraid my healthy good looks rather disappoint.”

“Head of necromancy.” Vincent shakes his head. “There’s enough of you to have a leader now.”

“Oh do grow up Vincent. We choose different paths to suit our different powers; you don’t hear me judging you for stealing your way through life.”

“And what is it you want me to steal for you?” She stares. He smiles. “Melissa, you wouldn’t have saved me unless you needed me. What does the mighty necromancer need from the lowly thief?”

Melissa holds his gaze before, finally, lowering her pretty blue eyes. “I need you to steal a soul.”

***

Melissa lives in a grand chalet on the corner of four countries that don’t quite meet, so that she is in a country all her own. It’s a world away from the cell Vincent’s spent the last few days in. With the Holy Wars raging, necromancy has become a booming business: there are hordes of mourners wanting to talk to their loved ones, and a fair few powerful men wanting soldiers who can’t feel pain.

He takes his time washing away the dirt of his near-death experience. It’s only the third time he’s been caught. The last two times he was young, just testing his limits, and he was sloppy. This time he was overconfident. He didn’t make his shadowy replica of the plates substantial to the touch, so when they went to use them in their ceremony their hands passed through the whispers of his magic. A foolish mistake. He would have been fine, except after he used his powers to escape his last death sentence and condemned an entire town to the shadows he promised himself next time he was caught, he would remain caught.

Fate stepped in. This time, he promises himself there won’t be a next time.

Melissa is waiting for him. She’s ditched the bridal get up and instead is resplendent in a long navy skirt and a loose white top, a world away from her milady of the shadows persona. She passes him a glass of some strong-smelling, dark liquor as he takes a seat opposite her. The smell makes his nostrils itch. He takes a sip, and makes a face.

“What proof is this?”

“Ninety percent.”

“It burns.”

“It cleanses. Can we dispense with the small talk? I really am on a tight schedule here.”

Vincent lowers his glass, a slow grin stretching over his lips. “I haven’t seen you this worked up since the coast lands declared all magic witchcraft and all witches terrorists. What’ve you got yourself into?” She bites her lower lip, working at it in a way that reminds him of when they were children, both under a hundred, and the towns were plains and the people were tribes who worshipped them. His smile disappears. “Lissa? Tell me about this soul.”

She waves a dismissive hand, but her smile is a little half-hearted. “It’s a soul. We necromancers deal in souls, don’t you know?”

“Lissa.”

She sighs. “It’s all just rather embarrassing. I’m being blackmailed.”

“Blackmailed?” He raises an eyebrow. “You’re the most powerful woman in the world.”

“And you’re the most powerful man, yet you were about to be hanged.”

“Okay, okay.” He holds his hands up in surrender. “Tell me what happened.”

“It’s stupid.” He holds her stare until she sighs, slumping back in her seat. “This war. It’s just the longest in a long line, and I’m tired. So I’ll help the widows and orphans talk to their loved ones, but I won’t raise the dead to fight another battle. I can’t do it anymore. The thing is, there aren’t any other necromancers who can do what I do.”

“Bit conceited.”

She smiles, a cold, hard smile. “Show me another necromancer who can stand at the edge of the battle and raise all the dead soldiers to fight for her, and I’ll apologise.”

He nods. “Fair enough. Carry on.”

“The various warlords –”

“They call themselves kings now.”

“- they’re all trying to persuade me the error of my ways. They shower me in gifts, rubies and emeralds, the occasional hematite. They all want me on their side. They tell me about how they fight for truth and justice, how theirs is the just war because it is holy, and I smile and nod and show them the door, and that’s fine. But one of them decided to take a different tact.”

“The blackmailer.”

“The blackmailer.” She sighs. “He has a group of necromancers working for him. Together, they attacked. And now I am down one rather important soul.”

“Whose is it?”

“Does it matter?”

He shrugs. “I’m just curious. Do you keep them all in jars somewhere? How exactly does soul rearing work?”

She stares him down. “Suffice to say they have something that belongs to me, and they are holding it as leverage.”

“And you want me to steal it?”

“Yes.”

There’s a tremor to her voice. He has a sneaking suspicion: there was a man once. There have been many men and women in both of their lives, but he was her fairy tale ending. He withered, aged as mortals are wont to do, and she mourned him like she had never mourned before. If there was any soul precious to her, it would be his.

“These holy wars,” he says, shaking his head. “We were the first religion. Do you remember? The wastelands to the east, the tribes who bowed to us.”

“The God of Illusion and the Goddess of Death.” She smiles slightly. “I never liked being an object of worship.”

“Do you remember what they used to say about us?”

“We were omnipotent, and omniscient, and all other sorts of oms.”

“No. They said that we were benevolent, until wronged, when we would fill with righteous anger and strike down our enemies.” He smiles. His eyes sparkle. “I don’t know about you, but I’m pretty damn full of righteous anger right now.”

***

The king lives in a grand castle in the centre of his realm, and he may call himself a king but Vincent can see why Melissa insists on calling them warlords. There is no opulence or glamour in this court, only dour faces and armoured men on battlements that are built to withstand an army. Vincent isn’t sure which religion these men are fighting for, what God has made their war so just, but he understands the wariness and weariness in their eyes. They find no joy in conflict, not anymore.

He keeps his head bowed as he passes through the gates with other travellers. There is a constant ebb and flow through the castle’s courtyard. He wonders, for a man so used to war, whether the king has ever considered attacks may come from a single traveller, not an army.

He is able to walk through undeterred, until he turns and attempts to walk into the kitchens. A guard is there in seconds, his movements quick and trained, the spear blocking Vincent’s way.

Vincent sighs. “Can’t a man get some bread in peace?”

“Not from here,” the guard says sternly. Everything about him is stern. “Move along.”

“Yessir.”

Vincent steps away. At least, half of him does. The other half walks around the guard unnoticed, a shadow flitting over him just for a second, and into the dark halls of the kitchen. He can still feel the substantial half of him walking away, before it pings back to him. There’s a sudden snap, like an elastic band against his skin, then he is whole again and striding through the kitchens.

He grabs a bit of bread, and winks at the young girl standing beside it.

The inside of the castle matches its gloomy exterior. A couple of centuries before there had been real kings, kings so fat they couldn’t walk, kings with so much gold it weighed them down. Those kings died in horrid uprisings that filled the land with blood and fire, and the cycle began again. Vincent liked the old kings. They were corrupt and greedy, but they had a sense of humour. These new kings are too serious for their own good.

The soul is in a tower, locked away and defended by those pesky necromancers. This much Melissa was able to tell him. How she knew, she refused to say. Once upon a time they told each other everything, but he supposes seventy years is a long time to go without seeing someone and their different paths have pulled them apart.

Until now.

He walks in shadows, tiptoeing on the very edge of sight. Not that there’s anyone around to see him. It seems to be assumed that no one will get past the stern guards outside. He can hear the muffled sounds of people moving through the courtyard beyond the walls, but it’s like he’s hearing it from underwater. Otherwise, there is no sound. Just the very light footsteps of a thief, too quiet for human ears.

The necromancers are easy to spot. They wear long black robes and hoods and symbols that mean nothing but are probably supposed to be occult. There are three of them at the foot of a stairwell, sitting around a small table with goblets in their hands.

“It’s not that I’m complaining,” one of them says as Vincent tiptoes closer.

“Bill, that’s exactly what you’re doing.”

“Look, we’ve been stuck here for days. If she was gonna come she’d be here by now.”

Oh Bill. Vincent grins. The fear in his voice gives the poorly-named necromancer away, and Vincent moves closer, unseen, unnoticed, until he’s so close he can lean down and whisper in Bill’s ear. “She’s already here.”

Bill pales. He looks around, looks straight into Vincent’s eyes, but sees nothing.

“Sod this.”

The necromancer gets to his feet. One of his friends groans; the other laughs.

“The king’ll have your head if you leave your post Bill.”

“She’ll kill me if I stay.”

Bill runs. One down, two to go.

Vincent touches a hand to the tower’s wall. There’s the sound of footsteps. The necromancers share a glance. The footsteps are coming down towards them and the tension in the necromancer’s shoulders tells Vincent no one is supposed to be up there. He smiles, and makes the noise a little louder, a little more intruding. He waves his hand, and Melissa’s voice teases down the stairs.

“Ready or not…”

The necromancers flee.

Laughing, Vincent drops the shadows around him and starts up the empty stairwell. This is going better than he could have hoped. The necromancers don’t know his kind of magic; as far as he’s aware, no one else does. Melissa may have decided to teach others to use her gifts but he was never inclined to do the same. Now he just has to replicate the soul, take the real one and get out of here in time for Melissa to shout at him for taking too long.

He stops dead at the top of the stairs.

The tower glows.

In the centre of the circular room, on a plinth of diamond, is the soul. It’s not in a jar, it’s just there. Floating an inch above the plinth. Glowing a gentle gold that pulses through the room.

“Oh Lissa,” he says softly.

Her soul responds to his voice. He feels it, a sudden intensity in the pulsing, a brightening in the glow. It feels warm. It feels familiar. It feels like a childhood spent running in the wilds, when there was only the two of them and they had no idea why they came to be or how they had these powers but they were sure one day they’d know. It feels like the old days, when answers still seemed possible and everyday was magical.

He moves closer, and reaches out. The soul spins in the air, gossamer threads of gold entwining and expanding. His hands cup around it. It shrinks down into his palms and he clasps it to his chest, where he can feel it like a second heartbeat against his skin.

Getting out of here may be trickier than he thought. He hopes no one comes up to the tower as he’s leaving. He hopes the necromancers don’t come back with reinforcements too quickly. Replicating a normal soul is easy; replicating Melissa’s is impossible.

Footsteps pound on the stairs.

He sighs. The soul is bright under his fingers; he reaches down and pops it into his pocket, where it burns through his trousers against his skin. But he needs his hands. His trembling hands, he notices, raising them slightly. That’s new. Trembling is the thief’s undoing, but now his fingers won’t stay still and he knows why.

“They took her soul,” he whispers.

Righteous anger. That’s what the first tribe used to say about their gods. They are benevolent, until wronged.

The necromancers are dead before he’s fully turned to face them.

He strides down the stairs and into the castle proper. He doesn’t bother to hide in the shadows. The soul is too bright, and hiding relies on being unnoticeable. Instead he walks through the corridors of the castle, his feet barely touching the ground. No one bothers him. No one seems to want to. He sees one guard, but the guard turns away and pretends not to have seen him, this stranger who drags shadows behind him like a cloak.

The king is in his throne room. There are guards there too, but their spears stay by their side and they stare open-mouthed at the stranger. The cloak is clear now; it shimmers with darkness, twists and turns as the shadows move inside it. It’s how he hides in plain sight, but today he is not hiding. He allows it to be seen, allows himself to be seen.

The king stands up. “Seize him!”

Vincent is in front of him, one step carrying him from the edge of the hall to the throne itself. The king gulps. He is a small man, smaller than any king has a right to be, and he trips back into his throne as Vincent looms over him.

“I don’t like violence,” Vincent says softly. “I’ve made it a habit in my life to do no harm. But your necromancers are dead. There will be no more soul-snatching.”

The king whimpers. His guards are useless. No one seems to want to move.

“And you will lose this war.” Vincent’s voice deepens. The world seems to tremor with it. “When the army’s come, you won’t see them. They will be hidden in my shadows. And they’ll thank their gods, whoever the hell they may be, and your people will cry that their gods have abandoned them. And that’s fine. Because you’ll know it was me. You’ll know that this is judgement, and I have found you wanting.” He straightens up. His voice, when he speaks again, is back to normal. He even manages a small smile. “Sorry to ruin your fun.”

***

They watch the battle together on a cliff some miles away. They can only hear the occasional distant clash, the rumble of war. Melissa holds her soul in her hands, staring at it with her head tilted to one side and a small smile.

“It’s so much warmer than I thought.”

“Why didn’t you tell me it was your soul?”

“I knew you’d worry.” She glances at him. “I didn’t want to put you under too much pressure.”

“How long could you have survived without it?”

“Another day. Two, at the most.” She sighs, and the soul sinks into her breast. Her skin brightens. Her eyes sparkle. “There. Good as new.”

He snorts in disgust, shaking his head. “Can’t you go one century without getting yourself in trouble?”

Melissa laughs, and curls up to lean against his shoulder. Together, they watch the battle raging. The army came under cover of darkness, a darkness deeper than the night itself. The king and his castle stood no chance. The battle now is an afterthought, a final push from the defenders that will end with the invaders triumphant, declaring the victory for their gods.

“Do you ever think we should intervene?” Vincent says.

Melissa shakes her head. “There will always be war. We’d make peace once, and it’d happen again within years. Months, even. Let them fight. Ultimately, it’s up to them to make peace.”

“And what about us?”

“What about us?” Melissa gazes up into his eyes. “You will go back to thieving our once prized possessions, I will go back to my chalet and my veil. Or…”

“Or?”

“The east is lovely this time of year.” She smiles. “Perhaps we could go home.”

Vincent holds her stare. In the background, the fight rages on, but there is always a fight raging on somewhere. He puts his arm around her and looks into her beautiful blue eyes instead of at the fighting below.  “Home.” He smiles. “That sounds good.”

Beyond the Diamond

A short fantasy story about a young girl in a dystopian world who has the power to change everything.

Magic is forbidden. At least, that’s what the glaring signs and men in suits say, but Nola has never believed in magic, not in this world. Her father says it’s a common enemy to keep the common man revolting; her mother says it is a lie within a fairy tale. There is nothing magical about Nola’s days on the motor expressway cleaning clutter out the gutter for a coin an hour, and nothing magical about the tiny house she returns to each evening, deep in the Outskirts of the Diamond State.

She is the youngest of seven children, all still in that house, all working to bring coins to the family. Once they have enough coins, her father says they will leave the Diamond and head to the country, where there is room for them all and the air is clean and the nearest expressway is ten miles away. Once they have enough coins.

Another lie, another fairy tale.

Summer is Nola’s least favourite season. The sun makes the garbage smell and the buildings in the centre of the Diamond sparkle enticingly. On the expressway, the tarmac is too hot to touch and the clutter burns her fingers. Today, the sun is high and many of the vehicles flying past have their roofs off so there is a constant background noise of shrieking and laughter and snippets of conversation whisked by too soon.

She stops for a second, runs her hand over her brow. It comes away soaked with sweat. She clenches her hand, just for a second, and a wave of coolness washes over her like a sudden breeze.

Nola doesn’t believe in magic. That’s not to say she doesn’t know it exists.

Her walk home is a long one, past posters with “Wielders Forbidden!” and “Speak out against magic” emblazoned across them. There are a few shops that do not allow magic wielders in; she passes through them, spends her coin on bread and milk.

Her mother says the crusade against magic is pointless. If the wielders exist, ever existed, they would look just like you and me, and there’d be no stopping them coming and going as they please. When Nola was a child, her grandpapa had put her on his knee and whispered, “You are special, my little firecracker. But remember: no one will see unless you want them to see. To the world, you must be ordinary.”

She is thirteen now, and grandpapa is long dead. The days are hard, the hours seem long, and now and again she finds herself looking at the sparkling distant buildings and thinking, I could be there. One day.

The sun sets late that evening, disappearing behind those buildings so they glow.

Her sister Mila is the second youngest. She likes to remind Nova of her place. “Stop staring,” she say, pulling down the cloth blind so Nola can’t see the towers anymore. “The Centre isn’t for people like us.”

“Why not?”

“Because we are workers. The Diamond relies on us, Nola. The Centre is for the idlers, but we can’t all be idlers or nothing would ever get done. So we stay here, and the idlers stay in the Centre, and the middlers in the Rings, and it works.”

“What about the wielders?”

“The outlands are for them, far away from good people like us.” Mila’s expression softens and she pats her sister on the arm. “It’s a phase. We all go through it. You dream of those sparkling buildings and you think they must be paradise, but it isn’t. We have our roles to play in the Diamond, just like the middlers and the idlers. Be proud of who you are.”

Nola doesn’t sleep that night. The room she shares with Mila and two of her four brothers is unusually quiet: the second brother has had to stay out, working to get the new expressway finished in time for that weekends Clarity Festival, and she finds she misses his snoring. Awake, she stares at the ceiling and thinks of what Mila said.

Be proud of who you are.

The Clarity Festival celebrates the founding of the Diamond State, when three brothers toiled to make a home for themselves and their families. One worked, one kept the books and one coordinated. They became the three levels of the Diamond and, though no one talks about it now, all three were wielders. It is said that when the Diamond was finished, the three brothers and their families came together and broke bread in celebration. That tradition is gone. In the Outskirts, they will break bread with their neighbours and mark another successful day; in the Rings they will hold dinner parties that last long into the night; and in the Centre, they will have opulent balls and feast on rare beasts Nola’s only ever read about.

Work cleaning the expressway is in overdrive in preparation. Mila has been pulled in, along with several hundred other workers from non-cleaning industries. They pick their way through the gutters together, Mila complaining all the way: she has already done her years as a gutter trawler and she resents being demoted, even for a day.

It only takes a second for everything to change. Mila isn’t looking at what’s she’s doing, distracted by the heat and her annoyance. Her foot slips; she falls sideways, heading for the tarmac and the racing vehicles. Nola acts on instinct. Her hands clench. A wave of air slams into them and they fall back together into the gutter.

“Lunatics,” Mila says, pushing herself back to her feet and brushing herself down. “Imagine how fast they had to be going for the air to knock us down!”

She didn’t see. She doesn’t know. But Nola stays frozen. This wasn’t a small breeze to cool her down. It would be a miracle if no one noticed.

Ahead of them, a car has slowed to a stop.

Nola’s hand trembles. Mila is chatting away, back to complaining, unaware of how close she came to death and how close Nola’s come to discovery. When she sees her sister still on the floor, she looks down, her hands on her hips and a frown on her lips.

“Nola? Did you hurt yourself?”

Nola shakes her head, hurrying to stagger upright. She keeps her eyes on that parked car. A door opens. A tall man steps out into the gutter.

Mila frowns. “What’s that idler doing?”

He’s coming towards them, Nola thinks. He’s coming for her. They lower their heads as he approaches. The man is handsome, refined; he wears a suit and a tie and a smile Nola doesn’t trust.

It’s aimed at her.

“I saw what happened,” he says. He has a deep, calming voice. “Are you both all right?”

“We’re fine, thank you sir.” The response trots off Mila’s tongue without hesitation. Nola doesn’t know how she’s able to speak; her tongue is stuck to the roof of her mouth.

“It was a miracle that you were saved.” The smile grows. He’s still looking at Nola. “Magical, even.”

“We were just lucky, sir,” Mila says.

The man nods. “What is your name, child?”

He’s still looking at Nola. Mila glances at her, gestures for her to speak, and finally sighs. “Her name’s Nola.”

“Nola. I would like to invite you to the Clarity Ball in the Facet Tower tonight.”

Mila gasps. Nola stares. Her tongue unsticks. “Why?”

“Nola!” A sharp elbow from her sister. “She’d be honoured, thank you sir.”

Mila talks to the man. The man talks to Mila. But his eyes remain on Nola and she’s convinced they keep flicking to her hands.

That night, excitement flavours their small home. He has had a dress sent for her. It’s silk and floaty and all pale shades of blue, and when she looks at herself in their one mirror she feels like a princess. Her mother does her hair; her father bemoans the charity of idlers and their pity invites and smiles and kisses her cheek and calls her his sparkle.

The man comes in a vehicle driven for him, but he holds the door open for her himself, and smiles at her parents, reassuring them she will be back safe and sound.

In the car, she sits in silence in her princess dress. The man asks, “Do you know who I am?” She shakes her head. He smiles. “Suffice to say I am important. Do you know what you are?”

She looks up. What. Not who. “I am a wielder.”

“You are.”

“Are you going to kill me?”

The question is remarkably calm. She is being brave. But the man laughs her bravery away. “Kill you? Because of an antiquated idea of right and wrong? No, child. This once-great state was founded by wielders; only wielders can make it great again. I want to show you what your life could be.”

“I don’t understand.”

He waves a dismissive hand. “Enjoy tonight. Dance, eat, drink. We’ll talk later, and I’ll explain.”

Nola has never been to the Centre, let alone the Facet Tower. She stares out of the window at the gleaming buildings and sparkling pavements. The tower ascends in brilliant shards of light. A man holds the door open for her, and bows.

Inside, there is dancing and eating and drinking. People twirl in beautiful gowns as intricate as the tower itself to music chiming in pure melody. A large table groans under the carcasses of those rare beasts she’s only ever read about. There are hundreds of people here, and they all sparkle.

The man leaves her. He says he will find her at the end.

Alone, she is quickly embraced by the opulence. The drinks fizz on her tongue. The meats are delicious. The dancing is free and structured all at once. So she dances, and eats, and drinks.

At the end, he is waiting. He takes her to another floor in the tower and smiles at her.

“You look happy, Nola.”

“It was amazing, sir. Thank you.” She hesitates. The question has been burning at the back of her mind all night. “But why?”

“I wanted you to see what life could be like if you lived here, with me. Every day will be amazing. You will want for nothing.”

Her eyes widen. She doesn’t understand.

“You are special, child. But remember: no one needs to see unless I want them to see. To the world, you’ll be my ward. And that will give us immense power over that world.”

“But, I am just a worker, sir.”

“Never say that you are just anything. I am descended from the first worker; my great-great-great grandfather was one of the three brothers who founded the Diamond. Unfortunately, I did not inherit his other abilities. But you – you are a wielder, perhaps the last in this foolish city! Together, we can make things better. I will be president, and you will never have to work another day in your life.”

She frowns. “Then what would I do?”

“Whatever you like!”

“And my family? The others?”

“We can build a better Diamond State together, based on the founders’ vision. No more workers, idlers and middlers.”

“But there will always be workers,” Nola says. “And there will always be idlers.”

“Not if we are in charge, child.”

“But it isn’t the workers that are the problem. It’s not even the idlers. It doesn’t matter what you call them, people will always have a role to play. The problem is these diamond buildings and rings and the outskirts. It’s the fact that from the moment we’re born we’re taught that there is an enemy, and that enemy is anyone who isn’t like you.”

“Child.” The man smiles, the kindly smile of a teacher explaining to a slow pupil. “We cannot change how people think. But you don’t have to worry. Your life will be here, far away from all that.”

Nola stares. The man still smiles, and she still doesn’t trust it. She thinks of the dances, and the shards of the Facet, and the table groaning under the weight of so much food. She could live here. She could follow this man and help him change the Diamond State. Except he doesn’t really want change, just control. She glances down at her beautiful dress that her mother helped her put on and Mila helped tie.

“No.”

“No.” The man laughs. “Child, you don’t understand. This is your opportunity to be more. You are a wielder: be proud of who you are!”

She smiles.

“I am.”

The dress falls to rags as she walks away, and the shards of Facet Tower crack when she leaves. Those sparkling buildings gleam as they dissolve into nothing, just diamond dust in the air swirling around confused people who moments before had been safe in their towers, and she walks through the clouds they leave behind with her ruined dress and slight smile. By the time she leaves the centre and the rings and reaches the outskirts, she is barefoot and covered in dirt.

There are sirens in the distance. Her smile falters only a little. They will come. And that’s okay. Magic is, after all, forbidden.

And she thinks, for the first time, she knows why. Not for a common enemy, not for a fairy tale. Magic is forbidden because the wielders have one power amongst all others that terrifies everyone from the working man to the wealthiest socialite. They have the power to change things.

The sirens are closer. They will be here soon, and she will wait. Not to bow or to beg or to cry, but to say, “I am a worker and a wielder, and I am proud of who I am.”